![]() ![]() It's a string of contradictions laid chronologically end to end and designed to play off dancehall's schizo style by placing a sweetly crooned love song that practically predicts the kind of sugary singjay territory Akon has made his own (Wayne Wonder's "No Letting Go") right next to a song that advocates bloody retribution as if it was a new dance craze (Elephant Man's "Log On"). "Learning value" be damned, From Dubplate is at heart a pure pop pleasure product to be replayed in full again and again, by turns robust and dashed off, rootsically warm and computer chilled, violent and mournful, hilarious and dead serious, sexy and secular, religious and righteous. Alimantado's quest for religious unity to Ward 21 and Bounty Killer's thrill-seeking lawlessness.īut the history lesson is almost incidental, a happy didactic byproduct of the record's organizing principle. ![]() Listen start-to-finish and you find yourself inadvertently traversing many historical divides, from the bubbling analogue skank of the Wailing Souls' "War" to the bizarrely squished digital drum machine on Vybz Kartel's "Tekk", from Dr. The tracklist is a post-reggae marquee that's barely wide enough to hold all the lights: Beenie Man, Shabba Ranks, Gregory Issacs, Shaggy, Wayne Smith, Mr. (Though there are at least a few problematic tunes, which we'll get to.) And if that seems improbable to you, or overstated, well, you'll just have to play it to be sure. Instead this is something even better: A greatest hits collection/label sampler without a single wack track and more than its share of entrants into the dancehall hall of fame. Even conceiving a one-stop introduction to Greensleeves would give anyone a migraine. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |